Copper sampling

 Playing with scale and placement.

I tried to work with the cameo idea but no go...so...I went to the coset idea again....

 These sketches were the orignals.

 These are sketches of pairs of asymmetrial earrings...

 sketches of the earrings on ears....interaction.

Research Images!

I want to capture this delicate standard in cameo.

Production, Reproduction!

For this second project, I am focusing on using cameos as my inpiration. Production project  I believe will be the hardest thing I will have to face this semester. First reason, you now have a audience(consumer) to please as well as your design asthetics. So, my goal is to create a production of earings or rings that fits my design, but also is commercial for the consumer.   

Finish!?

 First attempt at liver of sulfur.....it came out to tanished looking.

2nd try....I like a lot. Much darker!

Workin that PITCH!

Burnin up the The PITCH!

first taste of chasing...and burning off of the pitch....thats one dirty PITCH!

Late Acrylic Cutting and Lena Modeling!

 Spiral blades you suck, lol...unless your lena...that dang pro! Filing the jagged edges so that the copper doesn't tear! Stink FACE!

Beveling the edges for smooth dye forming in the AM!

Demo: Chasing and Tucking edge using a line tool!?

 Chasing a Dye formed copper dome....demo 9/26/11

Tucking the edge...i think that's whats it's called lol.

Sketches and initail idea development.

 Brainstorming, the traits of a victorian women.

 Corset, inspired designs for the neck.

 playing around with form and shape for the chasing repousse.

 working with the idea of victorian corset, I wanted to create a piece that had the idea of consrtaint.

Refrence Images

I was really intrigued by this image because of the shape that is created by this Victorian socialite!

and the flow of movement in these dresses, I feel I could modify and use for the chasing and repousee!

The corset for and shape is something that stood out in the Victorian Era!

Lady Obediance

A  Lady
Never tolerates or performs rudeness, crudeness, indifference or ignorance from or to another human being.
Always cultivates a positive attitude.
Never chews gum in public.
Never fixes her appearance (hair or make-up) in public.
Remembers; to discuss the price of anything is never in good taste.
Does not gossip.
Accepts and gives compliments graciously.
Never holds private conversations in public gatherings.
Never uses slang or bad language.
Always looks for ways to better herself; spiritually, physically and intellectually.
Thinks before she speaks, once said, never forgotten.
Ladies shall never embrace and kiss when they meet in a public place.
Has at least one reference manual regarding etiquette protocol

Theme Exploration

This semester, I want to create works inspired by the Victorian Era; focusing on the essence of women of that time. I was intrigued by the shapes and forms created to suit "proper women" for example the corset! Below are some research to get me rolling into the era!

The Victorian Era (1837 - 1901)

 by Ilana Miller

The Victorian era is generally agreed to stretch through the reign of Queen Victoria (1837-1901). It was a tremendously exciting period when many artistic styles, literary schools, as well as, social, political and religious movements flourished. It was a time of prosperity, broad imperial expansion, and great political reform. It was also a time, which today we associate with "prudishness" and "repression". Without a doubt, it was an extraordinarily complex age, that has sometimes been called the Second English Renaissance. It is, however, also the beginning of Modern Times.

The social classes of England were newly reforming, and fomenting. There was a churning upheaval of the old hierarchical order, and the middle classes were steadily growing. Added to that, the upper classes' composition was changing from simply hereditary aristocracy to a combination of nobility and an emerging wealthy commercial class. The definition of what made someone a gentleman or a lady was, therefore, changing at what some thought was an alarming rate. By the end of the century, it was silently agreed that a gentleman was someone who had a liberal public (private) school education (preferably at Eton, Rugby, or Harrow), no matter what his antecedents might be. There continued to be a large and generally disgruntled working class, wanting and slowly getting reform and change.

Conditions of the working class were still bad, though, through the century, three reform bills gradually gave the vote to most males over the age of twenty-one. Contrasting to that was the horrible reality of child labor which persisted throughout the period. When a bill was passed stipulating that children under nine could not work in the textile industry, this in no way applied to other industries, nor did it in any way curb rampant teenaged prostitution.

The Victorian Era was also a time of tremendous scientific progress and ideas. Darwin took his Voyage of the Beagle, and posited the Theory of Evolution. The Great Exhibition of 1851 took place in London, lauding the technical and industrial advances of the age, and strides in medicine and the physical sciences continued throughout the century. The radical thought associated with modern psychiatry began with men like Sigmund Feud toward the end of the era, and radical economic theory, developed by Karl Marx and his associates, began a second age of revolution in mid-century. The ideas of Marxism, socialism, feminism churned and bubbled along with all else that happened.

The dress of the early Victorian era was similar to the the Georgian age. Women wore corsets, balloonish sleeves and crinolines in the middle 1840's. The crinoline thrived, and expanded during the 50's and 60's, and into the 70's, until, at last, it gave way to the bustle. The bustle held its own until the 1890's, and became much smaller, going out altogether by the dawning of the twentieth century. For men, following Beau Brummell's example, stove-pipe pants were the fashion at the beginning of the century. Their ties, known then as cravats, and the various ways they might be tied could change, the styles of shirts, jackets, and hats also, but trousers have remained. Throughout the century, it was stylish for men to wear facial hair of all sizes and descriptions. The clean shaven look of the Regency was out, and mustaches, mutton-chop sideburns, Piccadilly Weepers, full beards, and Van Dykes (worn by Napoleon III) were the order of the day.

The "prudishness" and "repressiveness" that we associate with this era is, I believe, a somewhat erroneous association. Though, people referred to arms and legs as limbs and extremities, and many other things that make us titter, it is, in my opinion, because they had a degree of modesty and a sense of propriety that we hardly understand today. The latest biographies of Queen Victoria describe her and her husband, Albert, of enjoying erotic art, and certainly we know enough about the Queen from the segment on her issue, to know that she did not in anyway shy away from the marriage bed. The name sake of this period was hardly a prude, but having said that, it is necessary to understand that the strictures and laws for 19th Century Society were so much more narrow and defined that they are today, that we must see this era as very codified and strict. Naturally, to an era that takes more liberties, this would seem harsh and unnatural.

Culturally, the novel continued to thrive through this time. Its importance to the era could easily be compared to the importance of the plays of Shakespeare for the Elizabethans. Some of the great novelists of the time were: Sir Walter Scott, Emily, Anne, and Charlotte Bronte, Anthony Trollope, George Eliot, Oscar Wilde, and, of course, Charles Dickens. That is not to say that poetry did not thrive - it did with the works of the Brownings, Alfred, Lord Tennyson, the verse of Lewis Carroll and Rudyard Kipling.

An art movement indicative of this period was the Pre-Raphaelites, which included William Holman Hunt, Dante Gabriel Rossetti, Christina Rossetti, and John Everett Millais. Also during this period were the Impressionists, the Realists, and the Fauves, though the Pre-Raphaelites were distinctive for being a completely English movement.

As stated in the beginning, the Victorian Age was an extremely diverse and complex period. It was, indeed, the precursor of the modern era. If one wishes to understand the world today in terms of society, culture, science, and ideas, it is imperative to study this era.